Joichi Hoshi

Listing 49 Works   |   Viewing 25 - 36
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Joichi Hoshi _316 Early Spring
#316 Early Spring , 1974
Woodblock Print
16 x 12 in
SOLD
Joichi Hoshi _ 317 - Evening
#317 - Evening , 1974
Woodblock Print
14.5 x 10 in
SOLD
Joichi Hoshi _317 Evening
#318 Blue Thicket , 1974
Etching
9 x 6 in
SOLD
Joichi Hoshi _ 335 Great Tree(small)
#335 Great Tree(small) , 1975
Woodblock Print
5 x 7.5 in
SOLD
Joichi Hoshi Spring Moon
#353 Spring Moon , 1976
Woodblock Print
6 x 8.5 in
SOLD
Joichi Hoshi _372 - Night Scene
#354 Moon and Tree , 1976
Woodblock Print
12 x 10 in
SOLD
Joichi Hoshi Moon and Tree
#354 Moon and Tree , 1976
Woodblock Print
8.5 x 6 in
SOLD
Joichi Hoshi _355 Clump of Trees in Winter
#355 Clump of Trees in Winter , 1976
Woodblock Print
12 x 12 in
SOLD
Joichi Hoshi Winter Tree
#358 Winter Tree , 1976
Woodblock Print
8 x 10.5 in
SOLD
Joichi Hoshi _358 Winter Tree
#366 Winter Tree , 1977
Woodblock Print
34.75 x 25 in
SOLD
Joichi Hoshi _386 Great Tree in Early Spring (small)
#386 Great Tree in Early Spring (small) , 1978
Woodblock Print
14.5 x 12.5 in
SOLD
Joichi Hoshi One Tree
#390 One Tree (gold) , 1978
Woodblock Print
19 x 7.75 in
SOLD
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formatting

Joichi Hoshi

Joichi Hoshi

Joichi Hoshi Biography

JOICHI HOSHI, 1913-1979
Joichi Hoshi began his artistic career rather late in life. From 1932 to 1946 he taught elementary school in Taiwan. It was only after the war that Hoshi sporadically began to work on prints. He worked as a mimeograph printer, doing bulletins and small jobs to earn a living. Later, Hoshi returned to school, and graduated from Musashino University of Fine Arts in 1956 at the age of forty-two.
His first creations were rather abstract renditions of stars and constellations. This was personally appropriate since “Hoshi” means “star” in Japanese. It was this theme which he explored until 1970, when he made a rather abrupt change in artistic style. The new subject matter, which Hoshi explored until his death in 1979, was detailed studies of trees. They are often shown leafless, against a bare background, and rendered more magnificent with the addition of gold and silver leaf as an undercoat to the work. There seems to be both an inner strength and a symbolic power in the trees Hoshi so carefully created with his woodblocks.

Exhibitions:
Japan Print Association, Tokyo--prize winner
New York City
Eugene, Oregon
Brussels, Belgium
Capri, Italy
Osaka, Japan
Sao Paulo, Brazil
London, England
CWAJ show, Tokyo


Collections:
Cincinnati Art Museum
National Museum of Far East Art, Berlin, Germany
Museum of Modern Art, New York City
National Museum of Modern Art, Tokyo
Arts Council of Great Britain
Haifa Museum, Israel
Rockefeller Foundation
Chicago Art Institute
Brooklyn Museum
Henry Kissinger

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