Kaoru Saito

Listing 35 Works   |   Viewing 25 - 35
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Kaoru Saito Inspiration
Inspiration
Mezzotint
17.75 x 15 in
SOLD
Kaoru Saito Memories
Memories
Mezzotint
17.75 x 15 in
SOLD
Kaoru Saito Questioning
Questioning
Mezzotint
17.75 x 15 in
SOLD
Kaoru Saito Red Fan
Red Fan
Mezzotint
17.75 x 15 in
SOLD
Kaoru Saito Red Illusion
Red Illusion
Mezzotint
19 x 16.75 in
SOLD
Kaoru Saito Remembering
Remembering
Mezzotint
17.75 x 15 in
SOLD
Kaoru Saito Sleeping Woman
Sleeping Woman
Mezzotint
17.75 x 15 in
SOLD
Kaoru Saito Snow
Snow
Mezzotint
17.75 x 15 in
SOLD
Kaoru Saito Sparrow
Sparrow and Snail
Mezzotint
7.75 x 7.5 in
SOLD
Kaoru Saito Sparrow
Sparrow with Cookie
Mezzotint
11 x 11.75 in
SOLD
Kaoru Saito Cozy Cat
The Lady and A Hawk in An Old Tale
Mezzotint
16.75 x 19.25 in
SOLD
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Kaoru Saito

Kaoru Saito

Kaoru Saito Biography

KAORU SAITO, Born 1931

 

Kaoru Saito is self-taught in the difficult mezzotint process.  Along with Yozo Hamaguchi and Katsunori Hamanishi, Saito is one of the most accomplished technician in mezzotint working in Japan today, and his prints have a finish and perfection which would be difficult to equal.  His studies of women combine a traditional Japanese aesthetic with an almost Pre-Raphaelite romanticism. Now in his 70s, Saito lives in his hometown of Hayama, Kanagawa Prefecture. 

Saito was educated at the Tathuo Arai Art Institute in Tokyo and in 1972 won First Prize at the Shunyohkai Exhibition in Japan.  He has taught in both Japanese and American schools and has exhibited in Japan, the United States, South Korea and Belgium.

MEZZOTINT
Mezzotint is a difficult intaglio printing process which is done in two stages. First, a metal plate is initially grained by working over it systematically with a spiked tool known as the rocker; this creates a multitude of fine dots all over its surface. If inked, the plate would print a rich black. The second stage of the process consists in smoothing away parts of the roughened surface with the aid of a scraper and a burnisher in order to create the white and highlighted parts of the resulting print. The scraping of the plate is a skillful job; delicate tonal transitions can be obtained if it is done well, but the flat appearance of some mezzotints is an indication of the difficulties involved. Color mezzotints can be printed with several plates, one for each color.

Mezzotint rewards the skilled practitioner with subtle shading and incredible graphic detail.

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